Exposing the Invisible: Data, Rendering and Code
HyungJun Park
Venue: Art Laboratory Berlin
Prinzenallee 34, 13359 Berlin
Dates and opening hours:
Opening: 1 September 2023, 8 pm (with an hour long-performance)
Running Time: 2 September – 8 October 2023
Thu – Sun, 2 – 6 pm
Workshop: HyungJun Park, Exposing the Invisible: Data, Rendering and Code
23 – 24 September 2023
Curators: Tuçe Erel, Juha Lee
Curatorial Assistance: Ina Mirzac, Julie Krejčí, Alessia Sforza
Art Laboratory Berlin Curatorial Team: Regine Rapp, Christian de Lutz, Tuçe Erel
Cooperation partners: Institut für Diagnostische und Interventionelle Radiologie, Düsseldorf
Institut für Materialphysik im Weltraum, Köln
Supported by Berline Senate and Department for Culture and Europe and Art Council Korea
HyungJun Park’s solo exhibition Artificial Consciousness. Exposing the Invisible: Data, Rendering and Code brings together three artworks, created in the last fifteen years. Park’s artistic exploration focuses on the relationship between machine and humans as well as humans and nonhuman beings. He connects and exposes nonhuman sensorial experiences through technological tools for human body experiences that mimic other perceptions.
Somniloquy is Park’s ongoing research and his Ph.D. project, focusing on human and machine dreaming. Park has been keeping dream diaries to explore human and machine consciousness. Within the hype of AI tools and their accessibility, machine learning tools have been used more often in the new media art scene in recent years. AI tools have been criticised as heavily biased – white, Eurocentric, homophobic and misogynist through the content it has learned from its users. In contrast, in his artistic research, Park delves into machine learning from a subjective point of view and creates a unique dataset based on the dreams and images he has collected over the years. Based on his dreams, the AI tool creates (or dreams) new, humorous and absurd narratives based on the text and image that has been fed by the artist.
I am an Artefact explores what the soul is and traces the location of the soul in the human body through scientific and speculative perspectives. The ancient Egyptians believed that the soul was in the heart and the Babylonians believed that the soul was in the liver. Modern humans understand that there is no soul or that it is an emotion caused by a chemical reaction of the brain. The human body and soul are Park’s main concerns in this project, related to the technological age. The process of the artwork I am an Artefact started with full body MRI scans of himself. The artist created a series of objects with different materials, such as a 1:1 size of Park’s heart sculpted with beeswax, a head scan, that is used for a 3D printed glass sculpture, and forefinger prints sculpted with aerogel – a material which is renowned as the lightest solid. Through this set of works, Park has given a speculative, physical agency to the soul and distributed the meaning of the soul and its materiality to ‘natural and artificial materials.’
Utopia is an interface that allows the audience to explore visual senses from a nonhuman perspective. This interface aims to create a connection between humans and machines. Analog monitors symbolise the anatomical eyes of humans. A funnel is installed in front of the monitor, so the audience can only see each monitor with one of their eyes independently. Human vision, unlike spiders or insects, cannot see both objects at the same time. However, by looking at the two monitors with this separation, the audience gains a new visual and cognitive experience, exploring the expandability of their human senses.
Tuçe Erel 